![]() It felt like provocation for a lot of people. A lot of the early stuff was rejected at the time, at least by certain mainstream critiques. “That always trips me out, I’ve gotta say. ” Although his work has often proven somewhat too taboo for the mainstream film industry, it has gone on to provide inspiration for Gucci campaigns, art direction, Supreme T-shirts and films. For example, he too can see Julia Fox, who starred in a Supreme campaign he shot, as someone “who you can imagine would have worked back then. Korine’s catalog of work has an unparalleled ability to reflect the contemporary zeitgeist. “That’s interesting to me.”įrom left to right, producer Cary Woods, director Larry Clark and writer, actor and director Harmony Korine on their way to promote their film Kids at the Cannes Film Festival in France, May 1995. Life is his mood board, and the characters he portrays mirror what he sees in the real world, describing day-to-day life as a “large science fiction fishbowl experiment.” By examining the so-called “fishbowl,” Korine mixes the romanticization of his observations with his depiction of reality in what he likens to “chemical experimentation.” “The idea that you can put different elements into a bottle and shake them up and document an explosion,” he says. What surrounds him is what surrounds us, but he looks deeper. ![]() Korine doesn’t take himself, or anything for that matter, too seriously. “I just wanted to make a sequel to Caddyshack,” he adds. “I guess it’s controversial,” he said of the film, through an awkward smile. In 1995, aged just 19, he joined the Late Show with David Letterman’s sofa as part of a Kids media junket. Self-deprecating candor and vague mystique appear to be Korine’s default when it comes to interviews. ![]() “I’m slow to make movies and I haven’t really made that many,” says Harmony Korine, the American filmmaker responsible for Gummo, Julien Donkey-Boy, Mister Lonely, Spring Breakers, Trash Humpers, The Beach Bum, and of course, the screenplay for Larry Clark’s Kids – a film clouded in controversy thanks to its hedonistic nonchalance and irreverence. ![]()
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